Saturday, July 25, 2026
BRIANNA
Nicole Austin
Questioning Culture · Following Facts · Telling Stories That Matter
Reviews

Judy & Barbra Live

August 7, 2026

Tommy Femia as Judy Garland

Tommy Femia

Judy and Barbra Live is the show for you if you enjoy the songs of Streisand and Garland, with a little humor on the side.

The critics are raving about Tommy Femia (six-time winner of the MAC Award and the Backstage Bistro Award):

“Fabulous” – The NY Times

A Pricelessly Sung Judy Garland”Village Voice

“Truly Amazing”Time Out New York

Tommy, in other words, is brilliant!

Together with Steven Brinberg, who has also won the MAC and Backstage Bistro awards, is “Amazing,” NY Daily News, “Wickedly Good” NY Post

After ten years in the making, these two have finally gotten together in a smash hit.

Judy and Barbra Live

In the cabaret room at Don’t Tell Mama, I had the privilege of experiencing the first pairing of these two talented performers.  Their voices are outstanding and their comedy subtle and easy – I could have watched and listened to them all night.

They perform many Garland and Streisand classics like PeopleOver The RainbowDon’t Rain on My Parade, and The Trolley Song, as well as tunes the legends themselves never got around to doing, such as I’m Still Here and New York, New York. They also perform duets from Broadway and from their 1963 TV appearance on CBS’ “The Judy Garland Show,” including the famous Happy Days are Here Again/Get Happy duet.

When Steven (Barbra) asks, “How is it that when we sang this last time I was a kid and you the adult, now I’m 60 and you’re still 40?, Judy responded, “You have to die Barbra.”

There are a lot of new performers and new music since you were here last.  What do you think of Eminem? Barabra asks.  “I hate his music … but I love his candy!”

The music director on piano was Mort Lindsey, and he segued nicely from theme to theme, creating interludes to change the mood. Throughout the show, Judy and Barbra take turns on stage alone. The performer off stage uses the opportunity to make a costume change before returning for a duet, and then stays on to perform solo as the other once again is off for a costume change.Seeing some of these gowns alone is worth the price of admission. Certainly the voices are really great, but I also enjoyed their vibe, their expressions, and attitudes with each other, which may have been funnier than the actual dialogue between them. Steven Holt, writer for the NY Blade, and I laughed out loud many times, along with the rest of the audience.

The night I attended, the room was sold out, and the crowd gave them a standing ovation.

Don’t Tell Mama:  Reservations (suggested) 212-757-0788.

The weekly, in your inbox.

One thoughtful piece a week, plus what's behind it.

Weekly Commentary · Behind the Story · New Articles · Book Updates